This exhibition presents the artist’s plastic research from her first monochrome experiments, carried out in 1978, until the mid-1990s, coinciding with her trip to New York, where she remained for the next 15 years until her definitive return to the Basque Country. Organised by series, the project covers the first two decades of her career, centred on the field of geometric abstraction and the introduction of the computer in research into measurement and the generation of images, ending around 1995.

The exhibition offers an exhaustive survey of the work of Medina, who took part in the debate with a generation of artists linked to the Basque formalist tradition and who, at the end of the 1970s, opened up to international artistic discourse and practices. Hers is a work that defends art as a tool for understanding reality and which has remained largely silent only to be strongly vindicated today. In this exhibition, the artist emphasises the process of a practice that she accompanies with theoretical research, writing and psychoanalysis, in purely geometric series with titles that allude to the potentiality of the image, uniting art, knowledge and vital experience.

Brochure List of works